First-person shooters came about with Wolfenstein 3-D, right? Wrong! Not only did they not come about with Wolfenstein 3-D’s spiritual precursors in the Catacomb series, they date right back to the ’80s and Lucasfilm’s incredible work on Atari 8-bit.
The Eidolon uses the same fractal landscape engine as the company’s classic Rescue on Fractalus, but here it’s used to create labyrinthine cave systems filled with terrifying monsters. Can you make it out alive, or will you become a dragon’s dinner? Only one way to find out!
Check it out in the video below, and don’t forget to subscribe on YouTube for more!
Next time you get bacteria in your ilium, call me up and I’ll come blast your balls for you.
Vaxine from The Assembly Line is one of the most technically impressive games on the Atari ST, featuring gorgeous and colourful ray-traced graphics, convincing sprite scaling routines and an interesting blend of physics puzzle and first-person shoot ’em up.
Developed as a sequel to the team’s previous game E-Motion, which marketed itself as “the first New Age computer game”, Vaxine is a simple but enjoyable time that shows what Atari’s 16-bit computers were really capable of when in the hands of someone who knew what they were doing.
It wasn’t unusual to see lightgun shooters adapted to the 16-bit computers of the late ’80s and early ’90s. However, you didn’t tend to see a lot in the way of lightgun peripherals.
You did, however, see a lot of these games making use of mouse control to simulate aiming a gun. Some of these made use of a clear, obvious mouse cursor, allowing for precise aiming, albeit at the expense of a certain feeling of “authenticity”. Meanwhile, some, like Ocean’s solid adaptation of Taito’s Operation Thunderbolt, provided the interesting twist of making where you were aiming invisible until you fired — much like a “real” lightgun would behave.
While the ST struggles to provide a completely authentic arcade experience — particularly in the sound department, as always — Operation Thunderbolt is actually a pretty solid port, and its unusual aiming mechanics make it surprisingly satisfying and addictive to play, even today.
The Atari 8-Bit played host to some great games, many of which drew fairly unashamed inspiration from popular arcade games at the time.
In some cases, these “derivatives” provided an interesting twist on their inspiration’s formula — or in some cases improved upon it. Such is the case with Encounter! by the late Paul Woakes, an enormously talented (and mostly solo) British programmer who developed some of the most technically impressive games of the 8- and 16-bit era.
Encounter! wears its Battlezone inspirations on its sleeve, but it mixes things up with much faster-paced gameplay and a challenging “hyperspace” sequence between stages. Watch me fail at the latter aspect in particular below.
3D engines are everywhere these days — you can probably name at least two off the top of your head — but in the late 1980s, they were a new and exciting phenomenon.
One of the first companies to figure out a means of making a reusable 3D engine that could be applied to multiple games without too much difficulty was Incentive Software from Reading in the UK, who developed a system they dubbed “Freescape”.
The first game released that made use of Freescape was named Driller, and unfortunately at the time of writing I’m yet to play it. This was subsequently followed up in 1988 by Dark Side, which I did play, however, and have some rather fond memories of.
Continue reading Dark Side