You know how these days Japanese games are often stereotyped as being “weird”? Well, in the early to mid ’90s, it was French developers who were saddled with this perception.
To be fair, it was at least partially justified — although it may perhaps have been a little more polite to refer to these developers’ works as being “creative” rather than “weird”.
They don’t come much more creative/weird than Purple Saturn Day, a game developed by a branch of ERE Informatique that claimed to be receiving their inspiration directly from an interdimensional technological god-entity named Exxos, and a title that put an interesting sci-fi twist on the multi-sports formula.
At any point in gaming history, it seems that there’s always one particular territory doomed to be singled out for making “weird” games.
What “weird” actually translates to in most circumstances is “interesting, unconventional, subversive and highly creative”; regrettably, while “weird” is undoubtedly a more concise description, it also carries with it somewhat pejorative connotations.
While today Japan tends to be singled out as the “weird” locale of choice, back in the late ’80s and early ’90s, it was France putting out the most creative, unusual and fascinating games on the market, and Infogrames was a leading developer and publisher during this period.
Here’s The Light Corridor, Infogrames’ delightfully abstract 3D take on the traditional “bat and ball” game — an oddly hypnotic experience that, while simple to play, is extremely addictive…